The original painting is sold.  Scroll down to see other works in the series, or see the “Reinvented Trees and Forests” Portfolio for more options.

24 x 24 inches, acrylic on canvas with glass media. Contact the artist original is SOLD.  I can make an enhanced giclee of this piece. The underlying color and composition will come from the giclee.  Media and tint added over the giclee will bring in texture and some optical effects. Inquire

Heredity, Acrylic, glass and dry media on canvas, 24 x 24 - original sold
Heredity, Acrylic, glass and dry media on canvas, 24 x 24 – original sold

 

 

In progress image

Heredity, in progress
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Heredity – Tree of Life 3 is mounted on 1.5 inch stretchers and the painting is continued around the sides. It is signed, titled and dated on the top edge. Because of the thick painted sides, no frame is necessary (and the unframed work will have a contemporary look). A sunlit image with shadows are included in the slideshow at the bottom, and links to in-progress posts are below the slideshow.

Heredity is an acrylic mixed media (extrusion and lenses) tree with a DNA double helical motif throughout. The tree’s branching form is often used to represent relatedness and diversity. Combined with the double helical motif for heredity it becomes a comment on the commonality of species and on the molecular biological basis for heredity and diversity.

How it was made:

First a canvas was primed with an absorbent gesso (from Golden). The absorbant gesso enhances watercolor and staining effects when used with diluted acrylics. patterns reminiscent of DNA were scratched into the stained gesso while the paint was still wet using a firm silicone tool. Rough “sketchy” tree shapes were added using a coarse alumina paint and other “dimensional” acrylic paints and media. Once the tree sketches were dry, roughly shapes areas of tinted gel and textured gel media were applied to the upper areas of the painting. The gels dry transparent. liquid dilute paint was loosely swirled into the “solid” wet gel areas, the liquid media (which also dry transparent) were poured from the top of the painting with the canvas tilted roughly 10 degrees from horizontal. Paint was swirled into the liquid media and it was allowed to flow for a few minutes, then the canvas was laid flat to allow the media to set. Once the background had dried, extruded fine and broad smooth and textured lines were added using tinted transparent gel medium pressed through cake decorating nozzles. Glass lenses were added between extruded layers to manipulate the light and space the layers. Shaped pieces of acrylic were incorporated into the “leaf” areas, along with media extruded through specialized “leaf shape’ nozzles. A final layer of poured liquid media was used to help the 3-D elements stay adhered to the canvas, and to encase the extruded lines in a glossy glaze. It’s a really cool effect if you ever get to see it in person.


 

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